Diagrama y proyecto. La pertinencia de representar y pensar las fuerzas contextuales. Peter Eisenman y Raoul Bunschoten/CHORA

  1. Cano-Ciborro, Víctor 1
  1. 1 Universidad Politécnica de Madrid
    info

    Universidad Politécnica de Madrid

    Madrid, España

    ROR https://ror.org/03n6nwv02

Aldizkaria:
EGA: revista de expresión gráfica arquitectónica

ISSN: 1133-6137,  2254-6103

Argitalpen urtea: 2023

Zenbakien izenburua: in conversation with... Andrés Perea Ortega

Alea: 28

Zenbakia: 48

Orrialdeak: 268-279

Mota: Artikulua

DOI: 10.4995/EGA.2023.18760 DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: EGA: revista de expresión gráfica arquitectónica

Garapen Iraunkorreko Helburuak

Laburpena

Starting with the figure of Peter Eisenman, this article presents the concept of the diagram and its importance in the architectural production of recent decades in order to then demonstrate how such a project tool allows us to think, visualize, and speculate not only about architectural form but also about the contextual forces that surround any spatial construction. This hypothesis will be supported by the critical analysis of two literary works: Diagram Diaries by Eisenman and Urban Flotsam: Stirring the city by Raoul Bunschoten/CHORA, accompanied by several illustrative examples where the graphic expression of these forces and their influence on the form and program of the architectural, urban, or territorial project is made visible.

Erreferentzia bibliografikoak

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  • CANO-CIBORRO, V. (2021). Narrative cartographies: Architecture from the sensitive regime of resistance. University Polytechnic of Madrid.
  • CHORA, BUNSCHOTEN, R., HOSHINO, T., & BINET, H. (2001). Urban Flotsam: Stirring the city. 010 Publishers.
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